About

Yashica1Patrick Thrush, aka ‘Papa Tango’ began his affair with photography in 1966. Starting with a Polaroid model 125, the love of capturing images soon shifted to 35mm film and across time, into medium and large format platforms. Over the years he has enjoyed photography as both a leisure pursuit and avocation, working professionally in the areas of graphics production, portraiture, event photography, and architectural documentation.

Patrick has a passion for working with traditional ‘wet’ chemistry in the darkroom, along with hybrid and digital workflows. Although digital is now assuming a large part of his camera work and printing, he still works regularly with medium and large format film equipment. As a former assistant director of the Center for Historic Architecture & Preservation within the College of Design at the University of Kentucky, he taught photography of the built environment and vernacular landscapes to graduate students in the Historic Preservation program, has numerous documentary projects in state archives, and several projects as photographer or team director in the Historic American Buildings Survey (HABS) housed at the Library of Congress.

He specializes in capturing elements of the built environment, and the interaction of people engaged in everyday life. Patrick lives and works in the Finger Lakes Region of New York State with his wife Donna, a number of four legged creatures, and his 11 year old grandson Anthony–a budding photographer with his own unique eye.

“The art of photography is capturing a small slice of four dimensional reality–then crystallizing it into two dimensions–thereby creating something new and meaningful for the viewer to experience…”

 

ARTIST’S STATEMENT

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Photo by Anthony Harvey

Very few photographers of any merit emerge outside of a vacuum of influence and technical process.  The art of photography—whatever the niche of commercial, portrait, fine arts, or technical—is the result of a well dug deep by those who came before us.

I consider myself lucky to have been educated as a teenager in the nuances of film, chemistry, and printing by a cadre of older hard driving, cigar chomping photographers who earned their stripes with Graflex press cameras and tens of thousands of hours with film and printing in the world, studio and darkroom.  They stressed that there is often only one chance to capture “the picture”—and an informed process to make it a successful public artifact.

Henri Cartier-Bresson referred to this as the “decisive moment” (le moment décisif).  It is that place and time in the physical world that everything comes together to capture a small slice of time and place that has meaning and impact—detached from its greater reality and frame of reference.  And it is in this moment that the artist brings that presentation through the lens to his silver or silicon canvas.

My work is influenced by the yeomen technicians of photographic art—and the extraordinary leaders of vision and image.  I follow the tradition of painters who delved deep—and found those small elements of everyday life that can be made classic.  Everything is of the moment, and the interest is to be found in the details—much of which is missed by the general population as they survey the world.

Vision should not be constrained to any one interpretation or genre.  In this I do not limit my practice to buildings, people, events, or a singular artistic philosophy.  Rather those elements of interest—things planned or in the serendipitous moment–that call attention to themselves within the larger canvas of the world.  True, there are thematic narratives that emerge—the interpretation of that element, or certain sorts of places.

My goal as a photographer and artist is to capture that which is of interest—condense it into a frame of reference—and leave it to you, the viewer to bring your emotions, thoughts, and affinity to find that which is meaningful and resonates on a personal level.

 

PHOTOGRAPHIC RESUME

1972-73

Southeast HS (Bradenton, FL) Photography Club, Yearbook and newsletter photographic staff, and student darkroom monitor.

1974

Portrait photographer for Task, Inc., of St. Petersburg, FL.  Work was traveling to various regional churches and shooting congregation portraits for inclusion in church membership directories and individual package sales.

1975

Production staffer for D&S Color, a major professional film processor and printer located in Bradenton, FL.  Work areas included bulk film development, tank chemistry management, and spotting and retouching.

1976-1979

Audio Visual Specialist (and later acting Technical Director) for the South Florida Museum and Bishop Space Transit Planetarium in Bradenton, FL.  Among my photographic duties were graphics and special effects imagery for planetarium shows, venue event photography, museum exhibit publication photography, and astrophotography.

1989-1991

Freelance photography for weddings, events, and advertising.  Notable clients included the DeSoto Celebration (Parade & Ball) and the Bradenton Area Convention Center.

1998-2004

Photography for website product promotion.  General and product photography conducted as part of web designer contracts.

2001-2002

Photographer and website developer for the University of Kentucky’s Capital Projects Management division.  Responsibilities included documentation of development of all major campus construction projects, and photography and website development of the reconstruction of the fire-damaged 1889 Administration Building.

2002-2004

Technology Director for the Historic Preservation Program in the College of Design, and Assistant Director of the Center for Historic Architecture and Preservation (CHAP) at the University of Kentucky.  Photographic responsibilities were major conservation assessment projects, surveys of historic resources, and teaching photography at the graduate level.

2008-2011

Project based photography for numerous non-profit agencies, community development and historic preservation activities .  Notable clients included the Cities of Knoxville and Pidgeon Forge, East Tennessee Preservation Alliance, the Clayton Performing Arts Center, and the Knoxville Boomsday Festival.

2015

Launched PapaTango.Photography, a fine arts and freelance photographic studio located in the Finger Lakes Region of Central New York State.